Laredo Little Theater’s Beauty and the Beast Jr.: Be Their Guest

IMG_5575Full disclosure: When the proposition of attending the Laredo Little Theater‘s adaptation of Beauty and the Beast was presented, excitement was not part of the initial reaction. I had known of the theater for decades but had never paid enough attention to consider it a viable entertainment option in Laredo. Honestly, I’ve never thought of Laredo, Texas as a hub for “theatrical” talent. Still, the kids wanted to see it and Dad was going to deliver.

Upon arriving, I was a bit concerned as the lobby, with its mild, stale odor, was hot and humid. Considering the dated look of the structure, I wondered if the air-conditioning/ventilation system was also well past its expiration date. Wrong. The theater area itself smelled fresh and the temperature was very comfortable, enhancing the theater’s nostalgic charm. Once I located our seats, the waiting game began.

The crowd shuffled in and soon, the place was packed with a variety of faces of all ages. From the young to the elderly, there was a growing electricity in the atmosphere and, I must admit, it got me excited. By the time the lights went down and our host hit the stage promptly at 8:00pm, I was ready for the experience.

The performance began and I was quickly captivated. The opening scene was clean, audible and convincingly acted. One by one, the key players came into focus: Princess Belle (Janette Tijerina) quickly showcased her beautiful vocals and the villainous Gaston (Mark Astudillo) was comically brutish with brawny charisma. Cheering and placating Gaston with poise and quick wit was Gaston’s quintessential sidekick Lefou (Ricky Hernandez Jr.). The kid also showcased solid singing prowess. All of the opening performers brought key talents that elevated the story.

The cast introduction continued into the castle scene. The crowd was delighted to see the adaptions of the half-man, half-clock Cogsworth (Mario Rojas), Lumiere (Rogelio Huerta Paz) with his candlestick hands, Mrs. Potts (Richelle Garcia) a tea-offering pot, and her charming son Chip (Ben Garcia), the human cup. The Beast (Alberto Cruz Jr.) was as angry as one would expect him to be, considering his situation.

05cb28c8aec6c908e8a69ff2e8b3355f_9nt9All of the cast members showed great vocal range and competent stage acumen. From my vantage point, the night belonged to Belle, Gaston, Cogsworth and Lumiere. Each of those thespians delivered with comedic timing, vocal grace and fluid movement. Cogsworth and Lumiere were extremely entertaining and kept the plot lively even when the storyline hit low points.

This is not to say that the other actors of this play were lacking brilliance. Mrs. Potts, Beast, the chorus and all of the supporting cast participants delivered dazzling performances. The “wolf” dancers were the epitome of elegance and power wrapped into one. The play kept a solid pace and climaxed at the right time. It was as enchanting as it was surprising.

As the show came to an end and those on the dais took their final bows, I realized that well over an hour had gone by and not once did I feel regret for having been present. The fact is, the only regret that entered my mind that night was that of a person who had been closed-minded by the potential of local acting talent. This is a mistake that has been gladly corrected. Now, I am a fan.

(Note: tickets were sold out last week and may be sold out for the final run of the show ending August 9, 2015.  Still, try to go see it.  Click link for ticket info.)

LITE puts on RENT

The production will be for mature audiences, of course (a trend for a few years now since LITE has taken on heavier and larger productions), but the LITE production folks are ready to bring you an outstanding musical show starting August 5th and running weekends through the 14th.

RENT is not to be missed – unless you are planning to go to Atlanta for a training 😛 – at the Center for the Arts. Check out their just released teaser trailer:

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And… the cast… YAY!

Photo from Facebook page for LITE productions taken by Armando X. Lopez